Over the past couple months we've done a bit of traveling and, as we always try to do, some good eating along the way. Memory, notes, and photos are not necessarily as good as might be hoped, and so instead of full recaps of meals, here are some quick thoughts on some of the places we visited. I don't begin to pretend that a brief few days can begin to capture the dining zeitgeist of a city; rather, these are more in the nature of personal travelogues. First, a trip to Washington DC over the kids' spring break.
Possibly my favorite of the places we dined at was Palena. Located a bit northwest from central DC, but easily accessible by the DC Metro, Palena has a more formal Dining Room with a prix fixe menu, and a more casual Café with a la carte offerings. With kids in tow, we went the latter route. The food is Italianate (Chef Frank Ruta's family hails from Abruzzo), but not in a way that insists on banging you over the head with it. An appetizer of baby calamari was quickly cooked with Sicilian flavors of tomato, caperberries and chilies. Both roasted and raw slivered beets were paired with hazelnuts in a salad. A steak was cooked over a wood-fired grill that lent a touch of smokiness to the meat, served with an elemental salad of bibb lettuce and blue cheese and nicely crisp fries. But the real standout for me was an absolutely pitch-perfect bollito misto, with tender, deeply flavored veal tongue and corned beef in a soul-restoring broth, rounded out by a coddled duck egg and a few root vegetables. It's deceptively hard to do "simple" foods well; Palena made them shine.
Palena
3529 Connecticut Avenue NW
Washington DC
202.537.9250
I was hoping to take the whole family to José Andrés' minibar, but we were unable to score a reservation. Instead we made a trip to his more straight-ahead tapas restaurant, Jaleo, as well as a visit to Café Atlantico for its "Nuevo Latino Dim Sum Brunch."[1] Jaleo is something like a living encyclopedia of tapas, with nearly 70 tapas selections, along with several paellas for those with even more robust appetites. They range from ubiquitous classics like pan con tomate and tortilla de patatas, to regional specialties like the Canary Islands' papas arrugas and Catalan esqueixada, to more unique items like calamares with pine nut praline and a Pedro Ximenez reduction, or seared salmon with a cauliflower purée and raspberries.
We found that some of the best items were those that hewed more closely to tradition, where Chef Andrés creates what may be close to the platonic ideals of classic Spanish dishes. An order of pan con tomate brings toasted but not completely crunchy bread, spread with softly tangy puréed tomato, a generous drizzle of olive oil and sprinkling of salt completing the composition. His croquetas come to the table hot, with a crisp fragile shell encasing molten bechamel and shredded chicken. Buñuelos de bacalao achieve the same balance, with a honey aioli to play against the salty fishiness of the dried cod. Another contrast of sweet and salty is played out by the berenjenas a la miel, the feathery light fried eggplant glazed with a drizzle of honey.
Ensalada rusa, the curiously named Spanish potato salad (what's Russian about potatoes, peas and carrots bound in mayo?), is given double richness from a generous hand with the mayonnaise and luscious canned Spanish tuna, plus an extra layer of flavor provided by strips of piquillo peppers. I am a huge fan of ensalada rusa and this was one of the best I've had. Fried dates wrapped in bacon are accurately described in the menu as "como hace todo el mundo" (that you will want to eat every day). And those papas arrugas - wrinkly, generously salted marble-sized baby potatoes served with a pungent mojo verde reminiscent of an Argentine chimichurri - are equally addictive.
Surprisingly, the dishes we found to be less successful were the more creative ones. Those calamares with sweet pine nut praline and a Pedro Ximenez reduction couldn't successfully bridge the gap between seafood and sweet. The same was true of the salmon with a (vanilla-touched?) cauliflower purée and raspberries. On the other hand, a dish called Arroz de Pato "Jean Louis-Palladin," after the legendary DC chef, featuring rice with duck confit, topped with a seared duck breast, and drizzled with a foie gras cream, was an overdone layering of rich upon rich.
But Chef Andrés deserves culinary sainthood if for no other reason than that he was instrumental in enabling the import of Spanish jamón ibérico into the United States. Jaleo was the first place it was served in the U.S., and there is possibly no more perfect dish than a plate of jamón ibérico de bellota. Priced at $22 at Jaleo, it's a worthwhile indulgence.[2]
Jaleo
480 7th Street NW
Washington DC
202.628.7949
(continued ...)
Tuesday, May 31, 2011
Monday, May 23, 2011
Makoto - Bal Harbour
If I were opening a new restaurant in Bal Harbour, I'm not sure it would be a Japanese place. I say that primarily because Bal Harbour is situated almost exactly in the middle of what are already some of my favorite Japanese restaurants in Miami: Naoe and Yakko-San to the north, and Sushi Deli to the south. Of course, Stephen Starr, the restaurateur behind Makoto, has opened plenty more restaurants than I have (Starr: 24; Frodnesor: 0), so maybe he knows what he's doing.
But I say that also because I'm not quite sure what kind of Japanese restaurant would appeal to this particular market. Tony Bal Harbour generally, and the ultra-tony Bal Harbour Shops in particular, have been a tough nut to crack for restaurateurs. Though Carpaccio has held steady for several years despite middling to decent food at best, most others that have taken a run at it have failed (witness the procession of restaurants that have occupied the space opposite Carpaccio, currently held by La Goulue). The people who frequent the mall are, no doubt, a high net worth bunch unafraid to drop a sizable sum on a meal, but it's entirely possible that they have more money than taste, when it comes to food anyway. Meanwhile, even if it's good, will more food-minded folks not otherwise inclined to do their shopping here still find their way to the restaurant?
Well I did, and overall, was pretty glad to have done so. The truth is, Makoto is really not much at all like any of those other places I mentioned. If anything, it is probably most similar to Zuma, which opened downtown about a year ago: high quality sushi, robata selections, and a grab-bag of other cooked Japanese items, all served up in a slick contemporary setting.
Makoto is named for its chef, Makoto Okuwa, who's got some pretty serious chops. Born and trained in Japan, he was head sushi chef at Morimoto's Philadelphia restaurant, then moved to New York to open the Morimoto restaurant there (where in 2006 he was named one of StarChef's Rising Stars). A couple years later he switched coasts, heading to Los Angeles as executive chef of Sashi. When Starr (who runs Morimoto's restaurants) set eyes on Bal Harbour, he lured Chef Makoto back into the fold. I also saw chef Dale Talde (who works at Starr's Buddakan in New York, and is known to many as a Top Chef contestant) in the kitchen on one of my visits.
Makoto the restaurant is situated on the ground floor of the Bal Harbour Shops, toward the south end. The dark-lacquered entrance on the mall side is so subtle as to be easily missed, though you can also enter from the east side directly from the parking lot, where there is also covered outside seating. A narrow entranceway, with some tables squeezed in, opens up onto a broad dining room which has smaller tables along the walls as well as a few larger picnic-style tables in the middle.[1] A sizable sushi bar (with at least four chefs working it) sits in front of the kitchen. That's where we've sat each time we visited.
Each spot at the sushi bar has a block of pink Himalayan salt situated in front of it, and once a diner is seated one of the sushi chefs will place your gari and wasabi on it. I do hope they clean those things between diners, as I wouldn't put it past some child to stick their finger on the block and lick it to see if it really is made of salt. Just saying.
(For more photos from Makoto, check this Makoto - Bal Harbour flickr set).
We started one of our meals at Makoto with nigiri, which comes two pieces to an order. With the exception of the hirame (fluke or flounder), which was only OK, everything else we sampled ranged from good to exceptional. Particularly notable were the chu-toro ($12) and the even richer, fattier oh-toro ($16). Makoto is, to my knowledge, the only place in South Florida that is sourcing Kindai bluefin tuna. Though bluefin tuna stocks are becoming rapidly depleted and as a result bluefin makes most sustainable seafood experts' "avoid" list, Kindai - which are farm-raised from the egg - are an arguably more responsible alternative. (For more about Kindai, read up: "The rarest tuna of all"). Chef Makoto is clearly a fan of the stuff. And after trying it, so am I, though it's an expensive "solution," if it even is that, to the bluefin problem.
Every bit as good was the hotate (scallop) ($14) - sourced live, and as fresh and pristine as any I have sampled anywhere (and that includes Naoe, which often features live scallop). Silky, tender, and sweet, these were really special stuff. Sadly, they weren't available on my return visit. The uni (sea urchin) ($12) was also very good, as was the aoyagi (orange clam) ($8). The "Hokkai" hand roll offered another way to sample their uni, wrapped up in nori with sweet shrimp and a quail egg ($12), a rather luscious seafood combination. Again, this item wasn't available on our second visit, which prompts some concern about "dumbing down." (We'll return to this later).
I went the sashimi route on our second visit, a couple weeks later. The offerings this time included a number of items sourced from Hawaii, including pink-fleshed nairagi (striped marlin) ($10) and silky ono (wahoo) ($8), both recommended by our server, as well as a second sampling of the aoyagi and Kindai chu-toro.[2]
The presentation was quite dramatic, the slices of fish perched on a wide bowl of crushed ice, above which towered an artful arrangement of branches and leaves. The sashimi itself was excellent - carefully sliced and impeccably fresh. Similarly dramatic was a yellowtail tartare ($18), served in the style made famous by Nobu Matsuhisa: the finely chopped fish molded into a hockey puck shape in a small bowl with a puddle of wasabi-infused soy sauce, crowned with a dollop of caviar, all mounded into a bigger bowl of crushed ice.
(continued ...)
But I say that also because I'm not quite sure what kind of Japanese restaurant would appeal to this particular market. Tony Bal Harbour generally, and the ultra-tony Bal Harbour Shops in particular, have been a tough nut to crack for restaurateurs. Though Carpaccio has held steady for several years despite middling to decent food at best, most others that have taken a run at it have failed (witness the procession of restaurants that have occupied the space opposite Carpaccio, currently held by La Goulue). The people who frequent the mall are, no doubt, a high net worth bunch unafraid to drop a sizable sum on a meal, but it's entirely possible that they have more money than taste, when it comes to food anyway. Meanwhile, even if it's good, will more food-minded folks not otherwise inclined to do their shopping here still find their way to the restaurant?
Well I did, and overall, was pretty glad to have done so. The truth is, Makoto is really not much at all like any of those other places I mentioned. If anything, it is probably most similar to Zuma, which opened downtown about a year ago: high quality sushi, robata selections, and a grab-bag of other cooked Japanese items, all served up in a slick contemporary setting.
Makoto is named for its chef, Makoto Okuwa, who's got some pretty serious chops. Born and trained in Japan, he was head sushi chef at Morimoto's Philadelphia restaurant, then moved to New York to open the Morimoto restaurant there (where in 2006 he was named one of StarChef's Rising Stars). A couple years later he switched coasts, heading to Los Angeles as executive chef of Sashi. When Starr (who runs Morimoto's restaurants) set eyes on Bal Harbour, he lured Chef Makoto back into the fold. I also saw chef Dale Talde (who works at Starr's Buddakan in New York, and is known to many as a Top Chef contestant) in the kitchen on one of my visits.
Makoto the restaurant is situated on the ground floor of the Bal Harbour Shops, toward the south end. The dark-lacquered entrance on the mall side is so subtle as to be easily missed, though you can also enter from the east side directly from the parking lot, where there is also covered outside seating. A narrow entranceway, with some tables squeezed in, opens up onto a broad dining room which has smaller tables along the walls as well as a few larger picnic-style tables in the middle.[1] A sizable sushi bar (with at least four chefs working it) sits in front of the kitchen. That's where we've sat each time we visited.
Each spot at the sushi bar has a block of pink Himalayan salt situated in front of it, and once a diner is seated one of the sushi chefs will place your gari and wasabi on it. I do hope they clean those things between diners, as I wouldn't put it past some child to stick their finger on the block and lick it to see if it really is made of salt. Just saying.
(For more photos from Makoto, check this Makoto - Bal Harbour flickr set).
We started one of our meals at Makoto with nigiri, which comes two pieces to an order. With the exception of the hirame (fluke or flounder), which was only OK, everything else we sampled ranged from good to exceptional. Particularly notable were the chu-toro ($12) and the even richer, fattier oh-toro ($16). Makoto is, to my knowledge, the only place in South Florida that is sourcing Kindai bluefin tuna. Though bluefin tuna stocks are becoming rapidly depleted and as a result bluefin makes most sustainable seafood experts' "avoid" list, Kindai - which are farm-raised from the egg - are an arguably more responsible alternative. (For more about Kindai, read up: "The rarest tuna of all"). Chef Makoto is clearly a fan of the stuff. And after trying it, so am I, though it's an expensive "solution," if it even is that, to the bluefin problem.
Every bit as good was the hotate (scallop) ($14) - sourced live, and as fresh and pristine as any I have sampled anywhere (and that includes Naoe, which often features live scallop). Silky, tender, and sweet, these were really special stuff. Sadly, they weren't available on my return visit. The uni (sea urchin) ($12) was also very good, as was the aoyagi (orange clam) ($8). The "Hokkai" hand roll offered another way to sample their uni, wrapped up in nori with sweet shrimp and a quail egg ($12), a rather luscious seafood combination. Again, this item wasn't available on our second visit, which prompts some concern about "dumbing down." (We'll return to this later).
I went the sashimi route on our second visit, a couple weeks later. The offerings this time included a number of items sourced from Hawaii, including pink-fleshed nairagi (striped marlin) ($10) and silky ono (wahoo) ($8), both recommended by our server, as well as a second sampling of the aoyagi and Kindai chu-toro.[2]
The presentation was quite dramatic, the slices of fish perched on a wide bowl of crushed ice, above which towered an artful arrangement of branches and leaves. The sashimi itself was excellent - carefully sliced and impeccably fresh. Similarly dramatic was a yellowtail tartare ($18), served in the style made famous by Nobu Matsuhisa: the finely chopped fish molded into a hockey puck shape in a small bowl with a puddle of wasabi-infused soy sauce, crowned with a dollop of caviar, all mounded into a bigger bowl of crushed ice.
(continued ...)
Friday, May 20, 2011
Michybaya - Cobaya Dinner with Chef Michelle Bernstein
Sometimes, with her radiant smile, former-ballerina perfect posture, and national (Top Chef judge) and local (Check Please host) television presence, it's easy to forget. But let there be no doubt about it: Michelle Bernstein is a badass chef. Yes, it's the quality of her cooking that cemented her national reputation and led to those TV gigs, and her namesake restaurant Michy's on Biscayne Boulevard and the Spanish tapas-inspired Sra. Martinez in the Design District are regarded as among the top restaurants in Miami. But neither of those restaurants are "new" any more, and in a somewhat magpie-like food community, restaurants that are five, or even only two, years old are sometimes overlooked in favor of the latest shiny objects.
That's stupid. Thirty-four of us got to see just how stupid earlier this week, as we finally connected with Chef Bernstein for one of our "Cobaya" dinners. Since we began doing these events nearly two years ago, we've been trying to get Michelle to cook for us. Indeed, we first started talking about it back in the summer of 2009; but then she was busily gearing up to open at the Omphoy in Palm Beach, and any number of things intervened thereafter. The stars finally aligned recently, particularly with her new bakery/café down the street from Sra. M, Crumb on Parchment, turning out to be a perfect venue for the dinner.[1]
As we always do, we gave Chef Bernstein complete free rein to come up with the menu and the format, and she put together one of the most elegant, polished, and satisfying dining experiences we've had so far. You can see all my pictures from the dinner in this "Michybaya" flickr set, and find links to some other pictures and recaps over at the Cobaya website.
The space at Crumb (basically the airy, open atrium of a collection of home furnishings shops in the Melin Building in the Design District) was rearranged for our dinner into one long table, with 34 of Crumb's artfully mismatched chairs lined up on either side. The table was set with naturalistic centerpieces that actually incorporated some of the mise en place for our dinner (OK, not really, but those were real mushrooms), and enough silverware to baffle even Emily Post.
Chef Bernstein said that she doesn't like to overstuff diners with too many courses, so she held it to five (actually six if you count a pre-dessert, which I would):
Chupe de Mariscos with Squid Ink Croquetas
New York Steak with Truffle Butter and
Calamansi Soup with Pineapple and Mint Ice Cream
Banana Tarte Tatin
This was a very nice way to start things, an oyster "chawan mushi." Chawan mushi is a savory Japanese egg custard, often a bit more watery than a Western custard with the addition of dashi and/or soy sauce. Here, Chef Bernstein steamed the custard right in the oyster shells, with the briny (Kumamoto?) oysters nestled within, and a little cap of softened enoki mushrooms and green onions. This carried all of that wonderful "taste of the ocean" of a good oyster, but with the flavor stretched and prolonged by the creamy custard. Mrs. F doesn't particularly like oysters, but she loved this dish. For a bit of contrast, between the oysters was a small bowl of a scallop ceviche (not a "true" ceviche, Chef Bernstein qualified, which I think means the scallop was very lightly poached rather than just "cooked" in the acid of citrus juices), given an extra dose of richness with a tongue of orange uni laid over the top.
(continued ...)
That's stupid. Thirty-four of us got to see just how stupid earlier this week, as we finally connected with Chef Bernstein for one of our "Cobaya" dinners. Since we began doing these events nearly two years ago, we've been trying to get Michelle to cook for us. Indeed, we first started talking about it back in the summer of 2009; but then she was busily gearing up to open at the Omphoy in Palm Beach, and any number of things intervened thereafter. The stars finally aligned recently, particularly with her new bakery/café down the street from Sra. M, Crumb on Parchment, turning out to be a perfect venue for the dinner.[1]
As we always do, we gave Chef Bernstein complete free rein to come up with the menu and the format, and she put together one of the most elegant, polished, and satisfying dining experiences we've had so far. You can see all my pictures from the dinner in this "Michybaya" flickr set, and find links to some other pictures and recaps over at the Cobaya website.
The space at Crumb (basically the airy, open atrium of a collection of home furnishings shops in the Melin Building in the Design District) was rearranged for our dinner into one long table, with 34 of Crumb's artfully mismatched chairs lined up on either side. The table was set with naturalistic centerpieces that actually incorporated some of the mise en place for our dinner (OK, not really, but those were real mushrooms), and enough silverware to baffle even Emily Post.
Chef Bernstein said that she doesn't like to overstuff diners with too many courses, so she held it to five (actually six if you count a pre-dessert, which I would):
Oyster Chawan Mushi with Scallop and Uni Ceviche
Julien Fouet Saumur[2]
Whole Roasted Foie Gras with Garden Vegetables
and Carrot-Orange Sauce
Kiralyudvar Tokaji Sec
Chupe de Mariscos with Squid Ink Croquetas
Mercy Pinot Noir Arroyo Seco
New York Steak with Truffle Butter and
Gnocchi with Celery Leaf, Lily Bulbs and Budding Chives
Mas Sorrer Montsant
Calamansi Soup with Pineapple and Mint Ice Cream
Banana Tarte Tatin
Rock Wall Late Harvest Sauvignon Blanc
This was a very nice way to start things, an oyster "chawan mushi." Chawan mushi is a savory Japanese egg custard, often a bit more watery than a Western custard with the addition of dashi and/or soy sauce. Here, Chef Bernstein steamed the custard right in the oyster shells, with the briny (Kumamoto?) oysters nestled within, and a little cap of softened enoki mushrooms and green onions. This carried all of that wonderful "taste of the ocean" of a good oyster, but with the flavor stretched and prolonged by the creamy custard. Mrs. F doesn't particularly like oysters, but she loved this dish. For a bit of contrast, between the oysters was a small bowl of a scallop ceviche (not a "true" ceviche, Chef Bernstein qualified, which I think means the scallop was very lightly poached rather than just "cooked" in the acid of citrus juices), given an extra dose of richness with a tongue of orange uni laid over the top.
(continued ...)
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