Cobaya Obra with Chef Carlos Garcia

For years, Chef Carlos Garcia ran what was generally regarded as one of the top dining destinations in Latin America in his hometown of Caracas, Venezuela. Between 2013-2016, his restaurant Alto was a regular on the Pellegrino "Latin America's 50 Best Restaurants" list. But Venezuela, wracked by political and economic strife, has been a challenging place to live, much less run a restaurant. Like many others fortunate enough to have the opportunity, Garcia found a second home here in Miami, opening a restaurant in Brickell, Obra Kitchen Table, last year.

Despite everything happening at home, Garcia has managed to keep Alto open while running Obra here – no easy feat amidst protests, government clampdowns, and food shortages. He also helps operate Barriga Llena Corazón Contento (Full Belly Happy Heart), an organization that supplies free meals to children in Venezuela, and Recipes for Change, which teams up local chefs, farmers and others to serve people in need here in South Florida. Somewhere in there, he found time to put on a dinner for Cobaya, gathering thirty diners around the counter at Obra for a seven-course dinner.^[1]

(You can see all my pictures in this Cobaya Obra with Chef Carlos Garcia flickr set).

I really love the layout at Obra, where there's a smattering of tables in front, but the bulk of the seating is at a long, three-sided counter that surrounds the open kitchen, a variation on the sort of horseshoe type counter you would find in old diners like S&S.

Chef Garcia started the meal with some snacks: a puffy arepita topped with sea urchin and guasacaca sauce (a Venezuelan staple that I think of as either a salsa verde bolstered with avocado, or a very loose guacamole), and some feathery, crisp chicharrones for scooping up a cauliflower cream enriched with a generous dollop of trout roe. A great start.

To follow, a whole Japanese eggplant (here's where you can make an entirely appropriate use of the 🍆 emoji), basted in beet juice and red wine before being roasted until it's all supple and silky inside. The menu listed this as "eggplant + goat cheese + red wine," but those toasts were instead topped with foie gras butter – a substitution I fully support. While foie often gets matched up with sweet, fruity flavors, I really enjoy when it gets to play with more savory, vegetal elements.

Chef Garcia called his tostone a "toast/ton," which he then topped with ribbons of fresh raw tuna, avocado, jalapeño, and a spicy guava sauce.

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Cobaya Kamayan at Pao

We've been on a bit of a hiatus at Cobaya for a while, but returned to action last month with a return visit to Pao at the Faena Hotel. Pao had been the site of Experiment #63 a few years ago, when chef Paul Qui and his then chef de cuisine Derek Salkin put together an eight-course menu that had the look and feel of a "fine dining" meal, but which resonated with Filipino flavors: kumamoto oyster kinilaw, foie gras lumpia, maitake mushroom dinuguan, oxtail and beef tongue kare kare.

This time around, Paul and CDC Ben Murray – who joined Pao a few months after that last dinner and has been heading up the Miami restaurant for the past 2 1/2 years – took us even deeper into Filipino territory with a kamayan dinner.^[1]

As our guinea pigs arrived, they were brought onto the back terrace at Pao, where one long table underneath a thatched roof pergola had been draped with banana leaves and then laden with our dinner for the evening.

(You can see all my pictures in this Cobaya Kamayan at Pao flickr set).

They described it on the menu like so:

"A Kamayan Dinner is a communal style Filipino feast, composed of colorful arrays of food that are usually served on banana leaves and eaten without utensils."

It was a lot to take in at once. There was sticky, crispy edged lechon, slices of rich wagyu beef, sticky sweet ribs, fat, well-spiced grilled shrimp, tender chicken inasal (typically marinated in calamansi juice and coconut vinegar), flaky grilled loup de mer. There was achara (the Filipino version of papaya salad), kimchi, grilled bok choy, planks of pickled daikon radish. There were crisp fried plantain chips, batons of juicy grilled pineapple, mangoes halved and cross-hatched. There were puffy little pan de sal buns, and more rice than forty people could possibly consume in one sitting. There were sauces – a spicy-sweet nam jim, a salty-tangy toyomansi, a bright garlic and black pepper vinegar.

Instead of an impeccably plated, rigorously calibrated multi-course tasting menu, this was a free-for-all: take a little bit of this, then maybe some of that, try it with this sauce and then the next bite with another. Paul said that Flipinos like eating savory and sweet together, and while that's usually not my thing, in this context it made complete sense.

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best dishes of 2018 - part 3

herbed tostada - Willows Inn

We're already a few weeks deep into 2019, but I'm still writing 2018 on my blog posts. Here's the last round of my personal "best dishes of 2018," which starts at one of my favorite places on earth, then spends the rest of its time back here in sunny South Florida. You can read Part 1 and Part 2 here. Happy New Year, all!

smoked black cod doughnuts - Willows Inn

smoked sockeye salmon - Willows Inn

heirloom wheat bread, crab brain - Willows Inn

fruits and their leaves and kernels - Willows Inn

In late summer we made our third pilgrimage to Blaine Wetzel's Willows Inn on Lummi Island, a tiny speck on the map among the San Juan Islands off the coast of Washington State. Our first visit was almost exactly five years earlier, in 2013, and we fell in love – not just with the restaurant, which is wonderful, but with the idyllic, tranquil island itself. This latest meal was our best yet at Willows. (More pictures, of dinner and also of Lummi Island, in this Willows Inn flickr set).

It's unusual for a restaurant to have multiple "signature" dishes, but several from Willows Inn could easily be called that: the "tostada" crafted from a tempura-fried mustard leaf, smeared with an oyster and herb emulsion and festooned with everything fresh and blooming from the garden, a different burst of flavor in every bite; the puffy donuts stuffed with smoked black cod, sprinkled with sea salt and dried seaweed; the perfect smoked salmon, about which I said five years ago: "You realize: this is the best salmon you are ever going to eat in your life." I didn't consider at the time: you can always go back. This time was just maybe even better.

The other dishes pictured here reflect how Wetzel so effectively captures place and time, location and season. During our first two visits, a hearty bread course was one of the highlights, in large part because it came with a ramekin of rich, sticky chicken drippings for dipping. This time, instead of chicken drippings, there was a crab carapace – from nearby waters, of course^[1] – filled with bits of warm crabmeat covered in a thick blanket of creamy crab brains, with an intense but clean and pure taste of the sea. Frod Jr. told me months later he was still thinking about how good this was. Yup. Dessert was pretty magical too: an assortment of fruits captured at their peak of ripeness, paired up with something else from the same fruit: peaches and blackberries with ices made from their leaves, plums in a syrup of their kernels, obscenely fresh figs right off the tree with a fig leaf cream.

When I win the lottery – or maybe even if I don't – this is where you'll find me one day.

lobster thermidor - The Surf Club Restaurant

I might have ruffled a few feathers when I said in Eater that the biggest dining surprise of 2018 was how boring the menu was at The Surf Club Restaurant:

The space is gorgeous, the service is outstanding, the execution is precise, but the choices are just ... so ... dull. I get the whole “throwback” theme, and it provides some highlights (the Oysters Rockefeller are second only to Galatoire’s IMO, and I thought the Lobster Thermidor was great), and I like going there. But when I heard we were getting a Thomas Keller restaurant, and when he brought in a creative, talented chef like Manuel Echeverri, who was doing great things at Bazaar Mar, to run the kitchen – well, I was hoping for something more.

The truth is, I have ambivalent feelings about the Surf Club. I've thoroughly enjoyed my three visits there; just not so much for the food, which has been good, but not particularly memorable. I expected more things like the Lobster Thermidor, an Escoffier classic which frankly I'd never had a particularly good example of until this one. Instead of the typical stodgy spackle mounded into a lobster shell, this version held some surprises: a ragout of lobster meat and vegetables plus a thin sheet of crispy puff pastry concealed under a burnished blanket of cream and cheese, the perfume of tarragon wafting from within, all serving as the bed for a precisely cooked lobster tail, some preserved morels providing a rich, woodsy counterpoint which acted as a bridge for the aromatic red Burg that wine director Zach Gossard generously poured for me. More like this, please.

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