Where Are South Florida's Best New Chefs? - Part 2

Not so long ago, the local press was bemoaning the absence of new young chefs in South Florida. When Food & Wine announced its "Best New Chefs" in the Spring of 2009 and there were no South Florida candidates, New Times instead offered its own alternative list of local "Best Old Chefs 2009." (Of course, they could have noted that two of the chefs honored by F&W, Vinny Dotolo and Jon Shook of Los Angeles' Animal, actually do have Miami roots, having cut their teeth with Michelle Bernstein at The Strand). A few months later in August, Lee Klein of New Times posited that the Miami food scene was stalled, and pondered whether or not there was a "farm system" of younger talent that had trained under the chefs like Michael Schwartz, Michelle Bernstein, Norman Van Aken, Dewey LoSasso, Jonathan Eismann, Allen Susser, Kris Wessel, and so on, who were ready to "pick up the torch and start opening personal, passion-fueled places that showcase their own distinctive vision and approach to cooking?"^[*]

A good question, and one that hadn't gone without asking here at FFT. Indeed, almost exactly a year ago when the 2009 James Beard Award semi-finalists were announced, I asked "Not a single Florida nominee for the "Rising Star Chef of the Year" category - what to make of that?" and in April asked again "Where Are South Florida's Best New Chefs?," actually trying to answer the question that New Times raised in response to the F&W announcements.

What a difference a year makes. All of a sudden, it seems you can't lift a fork without poking into a chef whose resume includes a stint with one of the venerable names of South Florida cookery. One of them was even nominated for a James Beard "Best New Chef" award this year: Samuel Gorenstein of BLT Steak is a Chef Michael Schwartz alum, something I probably should have figured out when I tried his porchetta di testa, done in exactly the same fashion as at MGF&D.

But Chef Gorenstein is not alone. Simon Stojanovic, another MGF&D alum, will be heading the kitchen at the reincarnated Altamare. Timon Balloo, chef at the newly opened Sugarcane Raw Bar Grill, was in the kitchen with Michelle Bernstein, Allen Susser (Chef Allen's) and Tim Andriola (Timo) before going out on his own. Frederick Kelley, still another chef listing a stint at MGF&D on his resume, is co-chef with Jeremy Fernandez at the new JB Kitchen and Bar (f/k/a Badrutt's Place). A year ago Alejandro Pinero, who had worked at the Strand with Michelle Bernstein and Talula with Andrea Curto and Frank Randazzo, became chef de cuisine at Fratelli Lyon. Juan and Vani Maza spent a brief time in Michelle Bernstein's kitchen at Michy's before going it on their own at the now-closed Alta Cocina, and now the recently opened 72nd Bar + Grill. Gerdy Rodriguez, who has been everywhere, including at Mundo with Norman Van Aken, now is the chef at MIA at Biscayne. Maria Manso, who cooked the line at Norman Van Aken's A Mano on South Beach, is the executive chef at the Delano. As Michelle Bernstein has opened more venues, she's created more opportunities for younger talent like Berenice de Araujo, the chef de cuisine at Sra. Martinez, and Jason Schaan, who has that position at Michy's. Andrea and Frank are stockpiling some young talent in the kitchen at Talula with sous chef Kyle Foster (highlighted, among other places, in "Sous Chef Kyle's Tapa of the Day"). Edited to add: Norman Van Aken seems to be grooming a real, bona-fide next generation, with son Justin Van Aken working with him on the opening of Norman's 180.

It was interesting to see that in an interview today, Chef Kris Wessel at Red Light, (who himself got started locally with Mark Militello), also mentioned the importance of younger chefs breaking out on their own and spreading their wings. Edited to add: And Sam Gorenstein likewise says many of the same things in an interview which came out just hours after this was first posted.

But the question remains: can the progeny cook? Or perhaps more to the point: do they have the creativity, vision, and drive to create unique, distinctive restaurants that will add something meaningful to our local dining landscape? And - to be fair - will they be given the opportunity?

CSA Week 11 and its uses

Clearly I have fallen out of the habit of doing weekly CSA updates, seeing that Saturday, Week 12 is upon us and I've not even posted on Week 11. Here it is above, working clockwise from the left: new potatoes, spinach, celery, lettuce, grape tomatoes, green pepper, green beans. These particular weekly "what's in the box?" updates seem a bit superfluous, given that the Bee Heaven newsletters are available online and that Redland Rambles provides such nice pictures every week too, a day in advance of the delivery even.

Those potatoes were exciting, if for no other reason than that we hadn't gotten any potatoes yet, and I was torn between doing a Pommes Anna and a Tortilla Española. The tortilla, a Spanish classic which can be found in just about every tapas bar in the country, won out. This recipe is taken from Anya von Bremzen's wonderful cookbook, The New Spanish Table.

The recipe calls for 3 medium-sized potatoes, peeled, sliced thinly (a food processor's slicing blade is recommended), dried on paper towels and rubbed with salt; 1 1/4 cups of olive oil; 1 onion, thinly sliced; 6 large eggs; and 2 tbsp chicken stock.

Heat the oil in a large skillet (it's a lot of oil, use a big pan) over medium-high heat, then bring the heat down to medium-low and add the potatoes. Cook, stirring periodically to keep the potatoes from browning or sticking, for about 7 minutes; they won't be cooked through. Add the onion, stir it in, bring the heat down to low, and cook for another 15 minutes, stirring occasionally. Everything should be nice and soft but not browned.

Remove the potatoes and onions from the pan with a slotted spoon, and drain in a colander set over a bowl to catch the oil. Salt the potatoes and onions to taste. Reserve the oil, you'll be using some of it again shortly.

Meanwhile, beat the eggs with the chicken stock and a couple pinches of salt. Once the eggs are scrambled, stir in the potatoes and onions (break up the potatoes a bit with a fork) and let them sit for 10 minutes.

Put an 8" skillet (non-stick is a good idea) over medium-high heat and add a couple tablespoons of the reserved olive oil. When it's hot, add the egg-potato-onion mixture and bring the heat down to medium-low. It will just about fill the pan. Use a thin spatula to pull the edges away and let more egg mixture seep underneath. Cook it this way for about 6-8 minutes, until the top is no longer completely liquid.

Now comes the fun part - you need to flip the tortilla. It's all about confidence: if you think you can do it, it'll work. Run the spatula all around the edges, and as far underneath as you can, to ensure the tortilla won't stick. Put a plate (bigger than the skillet!) over the top of the skillet, then with one hand holding the plate and one holding the skillet, invert the pan (and the tortilla) onto the plate. In an ideal world, you'll now have a tortilla with a still-somewhat gooey bottom on the plate, and an empty pan. Add a little more oil to the pan if needed, reduce the heat to low, then shuffle the tortilla back into the pan, gooey side down, to finish cooking. It should take about another five minutes. The recipe recommended one more flip and trip back into the pan for another minute, this seemed unnecessary to me. Check to see if it's done all the way through by sticking a toothpick in the middle and seeing if it comes out dry.

When it's cooked through, slide it out of the skillet onto a plate and let it cool a bit, then cut into wedges (or however else you might like) to serve.

A couple thoughts. First, I wonder if all that oil is really necessary for cooking the potatoes, though it might well be, since the idea is really to sort of poach them rather than sauté. Second, as you can see in the final photo, mine seemed to separate a bit, with the egg retreating to the exterior of the tortilla and the potatoes layered in the middle, more like an omelette than the homogeneous egg-potato-onion concoction I'm accustomed to at tapas places. Maybe a longer soak for the eggs and potatoes before cooking was in order.

Sugarcane Raw Bar Grill - Midtown Miami

Unlike professional restaurant critics, I'm allowed to admit certain biases. One of these, which I'll readily confess, is that I tend to prefer chef-driven restaurants to concept-driven restaurants. A chef-driven restaurant is one that starts with the chef: the menu, often even the environment, follow from the chef's personal vision, which is more often than not centered on the food. Michy's is a chef-driven restaurant; Naoe is an even more extreme example. Concept-driven restaurants start with an idea: a marketing ploy around which everything else is assembled. The chef, typically, is simply a cog that fits into the wheel of the restaurant's concept, the menu just a piece along with the decoration, the music, the drinks, the scene. China Grill is the prototypical concept-driven restaurant.

No doubt my bias toward chef-driven restaurants is naive and overly romanticized. After all, chefs (and their backers) want to make money just like everyone else. But as someone who cares mostly about the food, I've learned that the odds of finding the best food are improved by going to places where the decisions are made by the person who creates it.

Sugarcane Raw Bar Grill, the new spinoff from the creators of Sushi Samba, is a concept-driven restaurant. But I'm not too proud or stubborn to admit that it's a darn good one, one for which the food is far from a mere afterthought.

Located in Midtown Miami, Sugarcane occupies a long space whose voluminous feeling is multiplied by the two-story high ceilings, with rattan fans turning slowly overhead. There's a large indoor/outdoor bar as you walk in, with most of the main space bisected by a row of red leather-clad banquettes. Off to the right side, backed by a stone wall, is a raw bar with seating around it. Toward the back is the robata station, housing a sizable grill under which they burn Japanese bincho-tan charcoal (which generates high heat without much smoke). Off to the left is still more seating. The decorations have the purposefully haphazard look of a very expensive haircut, with mismatched chairs and partially painted walls throughout. (Some of those mismatched chairs, I will note, are too tall for the tables, leading to a hunched-over seating posture more conducive to hard-nosed contract negotiations than dining).

The "concept," I suppose, must be tapas with a Japanese tilt, though the influences are more global than the Brazilian/Japanese mashup that characterizes Sushi Samba. The Sugarcane menu is pretty much exclusively comprised of the "small plates" that are taking hold on so many local menus lately. It is divided among "snacks," "tapas," "robata grill," and "raw bar," the last of which includes traditional raw bar items, crudos, sushi, sashimi, and rolls. A blackboard features a short list of entreés, including a roasted chicken that has been getting raves all over twitter of late. Food comes from either the raw bar, the robata, or the hot kitchen, and like a tapas bar, items come out as they're prepared. This orchestra is directed by Chef Timon Balloo, whose resume includes stints with some of Miami's big name chefs (Michelle Bernstein, Alan Susser, Tim Andriola) and at Sugarcane's local cousin, Sushi Samba Dromo on Lincoln Road, before he took the helm at the now-closed Domo Japones.

I've not tried that roasted chicken yet, but I have tried most of the rest of the menu during our two visits. Among the snacks, edamame come out steaming hot and generously salted. Even better may be the shishito peppers, their skin blistered, and brightened with a squeeze of lemon and big flakes of (Maldon?) sea salt. From the raw bar, a half dozen Blue Point oysters were presented on one of those impressive seafood tower contraptions with a raised stand and a gigantic bowl of ice. Accompaniments were simple: lemon, cocktail sauce, horseradish, mignonette. The conch salad was light and refreshing, strips of the mollusk matched with orange segments and shreds of lettuce or cabbage.