Thursday, September 15, 2011
Phuc Yea! - Pop-Up Downtown Miami
I usually try to give a restaurant at least a couple of visits and a couple of months before writing about it. But with Phuc Yea!, a Vietnamese pop-up restaurant slated to be open only a few months total, that may be too late for the information to be of much use. Phuc Yea! doesn't follow the rules of a normal restaurant, and so my review won't either.
Official opening night was last Thursday, and I was there. We had a great meal, basically eating our way through the entire menu and then back again. You should go and do the same.
I gave a bit of a preview last week and won't repeat what's said there. But a bit of nitty gritty before talking about the food. Phuc Yea! is operating out of the "Crown Bistro" space located within the Ingraham Building downtown, across from the Gusman Center. There is no signage outside on the building for either Phuc Yea! or Crown Bistro. You get to it via SE 2nd Avenue, where there is an entrance just north of the main entrance to the office building, which leads into a corridor with mostly vacant retail space and the restaurant at the end.
It is a typical downtown lunch spot - meaning, completely nondescript and lacking in personality. The Phuc Yea! crew (Aniece Meinhold, Cesar Zapata and Daniel Treiman) have "spruced it up" by adding some curtains apparently inspired by an anime featuring an innocent big-eyed young girl and an angry Viking spirit. It's not exactly Extreme Makeover: Home Edition material, though it has its own unique charm. But the whole point of a pop-up is the food, not the decor, and happily, their talents in the kitchen vastly exceed their interior decorating skills.
(You can see the full set of pictures in this Phuc Yea! flickr set)
Our table was debating our choices among the first section of the menu (labeled simply "1 - một") until finally taking the easy route and ordering everything (except the pickles, which we knew would be coming as an accompaniment to one of the larger dishes later).
Of these, the dish that really stood out, that we were craving more of before we even finished - that we wound up getting at least two more orders of - was the bánh cuốn. I've often seen this translated as "pork rolling cake," though Phuc Yea! dubs it "Oodles of Noodles."
It features chewy rice flour crepes, rolled jelly-roll style, and in this iteration, topped with a cornucopia of ingredients: bits of roast pork, shreds of wood ear mushrooms, fresh bean sprouts, crispy fried shallots, nubs of salty pork terrine, a spray of fresh cilantro and mint, all anchored by a deceptively light-hued sauce rich with the potent umami blast of nước mắm, or Vietnamese fish sauce. Every bite makes a play to different taste receptors, hitting multiple notes at once, but ultimately achieving balance. It was a great dish.
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Tuesday, September 13, 2011
A Little Bird Told Me (Twitter for Restaurants)
More tweeting of daily specials, menu updates; less retweeting of every single tweet mentioning you, no matter how inane?But it's a pretty accurate encapsulation of my thinking on what is a very worthwhile question to ask; worthwhile enough that I thought it was worth expanding upon.
Some qualifiers: I'm not a PR person. I make no claim to being a social media expert. In fact, I do my best to ignore and avoid stuff like Foursquare and really have never taken much of a shine to Facebook either for that matter. But I like Twitter.
So who am I to have anything to say here? I'm a diner. A diner who is on Twitter and reading your restaurant's Twitter feed. (In fact I've got a list with every Miami restaurant I know of that's on Twitter). For whatever it may be worth, I know what I like to see and don't like to see in a restaurant's twitter feed. So here are some "dos and don'ts" from one diner's perspective:
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Wednesday, September 7, 2011
My 7 Links
One of the consequences of the immediacy and constancy of social media is that content tends to get buried under the neverending avalanche of information. A blog post that is more than 24 hours old won't even be seen in many peoples' RSS readers. Some good writers have given up on their blogs entirely, finding it more convenient and effective to communicate their thoughts in 140-character Twitter bursts, the epitome of ephemera. What any of us were saying last month, let alone last year, often gets lost in the electronic ether.
I'm usually wary of anything that sounds like a chain letter, i.e. "Do this and then ask another five people to do it." But I'm a big fan of recycling, including recycling blog content. I was also honored to have been nominated by Doc Sconzo (one of the people who indirectly inspired me to start this blog) to participate in something called "My 7 Links" started by the Tripbase website, the idea of which is "to unite bloggers (from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of day again."
I enjoyed reading Doc's 7 links. Here are the results of my own dive into the archives:
Most Beautiful Post: When I first started this blog, I had very ambivalent feelings about food photography. I'm a writer, not a photographer. Aside from not having any photographic talent whatsoever, I also was concerned with the dissociative effect of taking pictures - that the obsession with getting the right shot can separate you from the experience of actually enjoying a meal. There's also the "douchebag taking pictures of his food" issue.
For better or worse, I've gotten over it. As much effort as I can put into describing food, much of the dining experience is often visual. So even if you can't taste the food over the internet, at least you can see it. And while I'm still a rank amateur photographer, I've tried at least to get to the point that my pictures will not embarass the people who created the food. I also recently upgraded my equipment, and have learned a bit more about how to operate it, and have been excited about the results.[1]
It still pales compared to the work of genuinely talented photographers like Doc, Ulterior Epicure, A Life Worth Eating, and ChuckEats, but I'm not entirely ashamed of the pictures I took on a recent trip to Portland at Le Pigeon:
(continued ...)
I'm usually wary of anything that sounds like a chain letter, i.e. "Do this and then ask another five people to do it." But I'm a big fan of recycling, including recycling blog content. I was also honored to have been nominated by Doc Sconzo (one of the people who indirectly inspired me to start this blog) to participate in something called "My 7 Links" started by the Tripbase website, the idea of which is "to unite bloggers (from all sectors) in a joint endeavor to share lessons learned and create a bank of long but not forgotten blog posts that deserve to see the light of day again."
I enjoyed reading Doc's 7 links. Here are the results of my own dive into the archives:
Most Beautiful Post: When I first started this blog, I had very ambivalent feelings about food photography. I'm a writer, not a photographer. Aside from not having any photographic talent whatsoever, I also was concerned with the dissociative effect of taking pictures - that the obsession with getting the right shot can separate you from the experience of actually enjoying a meal. There's also the "douchebag taking pictures of his food" issue.
For better or worse, I've gotten over it. As much effort as I can put into describing food, much of the dining experience is often visual. So even if you can't taste the food over the internet, at least you can see it. And while I'm still a rank amateur photographer, I've tried at least to get to the point that my pictures will not embarass the people who created the food. I also recently upgraded my equipment, and have learned a bit more about how to operate it, and have been excited about the results.[1]
It still pales compared to the work of genuinely talented photographers like Doc, Ulterior Epicure, A Life Worth Eating, and ChuckEats, but I'm not entirely ashamed of the pictures I took on a recent trip to Portland at Le Pigeon:
Le Pigeon - Portland, Oregon - August 19, 2011
(continued ...)
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