Tapas - Spanish Design for Food @ The Moore Building

According to Penelope Casas' excellent book "Tapas: The Little Dishes of Spain," the original tapa was a slice of cured ham or chorizo, served compliments of the house, and - according to some - placed over the top of the customer's wineglass to keep flies out of the sherry. In other words, it was a simple, effective, and delicious confluence of food and design.

The exhibition "Tapas - Spanish Design for Food," currently on display at the Moore Building in the Design District, explores and celebrates that confluence, using Spanish tapas as the springboard. Organized by Acción Cultural Española, and curated by Spanish architect Juli Capella, it's a fascinating glimpse into the circular relationship of cuisine, art, design and culture.

The displays are divided into sections - "The Kitchen," "The Table," and "The Food" - with a well-selected compilation of objects created for each. They range from the utterly pragmatic - a set of cookware designed by José Andrés - to the entirely whimsical - a cutting board with a chute for bread crumbs connected to an outdoor bird feeder. Here are just a few of the fun things I saw at a media preview yesterday:

(You can see all my pictures in this Tapas - Spanish Design for Food flickr set).

"Jamón de la Crisis" - designed by Julí Capella, produced by Vinçon - one of the most famous of Spain's culinary icons, but in consideration of the recent economic collapse, rendered in recyclable plastic and "filled with pure, Spanish mountain air." "Cured in 2008, on sale in 2013."

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"Pink Collar" Cobaya for a Cause with Chef Daniel Serfer

We mostly do this Cobaya thing to eat well and have fun, but occasionally we try to do good, too. Almost exactly a year ago, we helped Chef Andrew Carmellini fill seats for a Hurricane Sandy Relief Dinner at The Dutch, which was a fantastic meal (with contributions from several Cobaya alumni) and raised more than $17,000 for Sandy relief efforts.

This year, when Chef Daniel Serfer of Blue Collar approached us about doing a charity Cobaya dinner to raise money for Susan G. Komen for the Cure, we were eager to take part. It's a cause that is particularly meaningful to Danny, who lost his mother to breast cancer eleven years ago this month, and he described the menu he put together as takes on some of her favorite dishes.

I'll tell you this: Marsha ate very well. Though Blue Collar is, as the name suggests, a working-class kind of place, Chef Serfer has a fine dining background, having toiled at the now-closed Chef Allen's before opening his own place. And he's already thrown a few "White Collar" dinners at Blue Collar, complete with servers in tuxedo t-shirts. But this was something else. Oysters, caviar, stone crab, lobster, truffles, prime rib, foie gras ... it's a bit of a wonder we don't all have gout. It was indulgent and over the top in the best possible way.

(You can see all my pictures in this "Pink Collar" flickr set.)

Oysters are a great way to start a great meal, and this one started with a bucket full of freshly shucked Kumamotos accompanied by a traditional mignonette sauce. Bubbly always makes for a nice introduction too - a Santa Julia Brut Rosé from Mendoza Argentina in this instance, selected by one of Miami's best sommeliers, Allegra Angelo, a Cobaya vet who was pouring at her third of our events.

Another pass-around: porcini mushroom croquettes, with a crispy casing, a warm, creamy-textured, earthy-flavored mushroom purée inside, and a light dusting of parmesan cheese.

The first plated course began the sit-down segment of the dinner not so modestly: Kaluga caviar two ways, with scrambled eggs and brioche toast, and also over browned, buttery Yukon Gold blini. It was very nice caviar, and an elegantly simple presentation to let it stand out.

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A New Orleans Dining Travelogue (Part 2: New School) - Peche, Root, Coquette, R'evolution, Bar Tonique

In Part 1 of my New Orleans Travelogue, I stuck with the "Old Guard" - traditional places, like Galatoire's, Felix's Oyster Bar, and Mr. B's Bistro, serving mostly traditional dishes. For a long time, it seemed like this was all you could find in New Orleans. New or old, it was as if every place was required by the Napoleonic Code to offer gumbo, shrimp remoulade, étouffée, and blackened redfish. You could tell the more contemporary places because they would affix a sprig of thyme or rosemary like a flag post in the middle of the plate.

That kind of culinary solipsism is sometimes one of the trade-offs of a city with such a passionate food culture. We saw much the same thing on our visits to Spain: the food is mostly outstanding - if you like Spanish food. But nobody talks about the Italian restaurants in Spain. Still, during our more recent visits to New Orleans - post-Katrina - things seems to be changing. The city not only has more restaurants than it did before the hurricane and floods (nearly 500 more, according to Tom Fitzmorris' count at The New Orleans Menu), it seems to be more open to a greater variety of restaurants.

To start exploring what's new, I met up with good friend, talented chef, and Louisiana native Chad Galiano (a/k/a Chadzilla), who returned home this past year after an extended sojourn in South Florida. We had an ambitious plan to hit three spots in the Central Business District for lunch in one day, though sadly ran out of steam after only two (I suspect New Orleans' liberal open container policy - are "go cups" also in the Napoloenic Code? - had something to do with it).

Pêche

Pêche is a new addition to the small stable of restaurants opened by chef Donald Link. After first making a name for himself at Herbsaint, Link returned to his Cajun roots with Cochon, which opened only a couple months after Katrina (and which was one of the best meals of my last visit to New Orleans). Cochon Butcher, a butcher shop and sandwich shop around the corner, followed soon after. As their names suggest, Cochon is largely dedicated to the pig in all its glorious forms, while Pêche revolves around seafood.

So where better to start than with a big seafood platter?

(You can see all my pictures in this Peche flickr set).

Pêche's seafood platter was mostly a compilation of items that can also be ordered a la carte from the raw bar section of the menu. Oysters come from three different sources along the Gulf (on our server's recommendation, I punctuated them with a dash of the house-made habañero and sweet potato hot sauce on the table). Fresh head-on Gulf shrimp are steamed and chilled in their shells, retaining all their sweetness. A mound of smoked tuna salad has the smooth texture of deli tuna, but with a delicate perfume of wood smoke. Tiny crab claws swim in a soft vinaigrette brightened with chili and mint. A seafood salad combines cubes of raw tuna, tender cooked shrimp and fresh avocado.

I fear I will live out the rest of my years vainly trying to recreate the glory of the massive, over-the-top seafood platter we had at Au Pied de Cochon this summer; but on a more modest scale this resonated in all the same ways. There is something incredibly indulgent about having the bounty of the local waters laid out before you like this - fresh, pure, and essentially unadorned.

(continued ... read on for Root, Coquette, Bar Tonique, and Restaurant R'evolution)