CobayaBelly with Chef Jose Mendin at PB Steak

It's always interesting to see how chefs approach doing a Cobaya dinner with us. Having a "theme" is entirely optional, but many chefs choose to do so. When we lined up a dinner with Chef José Mendin, of Pubbelly and its sibling PB Steak, he went with a "Bloody Monday" motif.

The decorations seemed inspired equally by a butcher's abattoir and a goth chick's boudoir,with PB Steak's unfinished wood and concrete dressed up with lots of candles, black apothecary bottles and the occasional crow.

Chef Mendin's offal-intensive menu, making extensive use of the "fifth quarter" of the cattle whose prime cuts usually grace the restaurant's menu, was drawn up like a butcher's diagram, though the pieces actually came from several different places - beef heart from Niman Ranch in California, veal brains from Strauss Farms in Wisconsin, tongue from Jackman Ranch in upstate Florida, prime rib from Cox Family Farms in Alabama.

(You can see all my pictures in this CobayaBelly flickr set, though you'll have to put up with some wonky lighting and grainy shots.)

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Tapas - Spanish Design for Food @ The Moore Building

According to Penelope Casas' excellent book "Tapas: The Little Dishes of Spain," the original tapa was a slice of cured ham or chorizo, served compliments of the house, and - according to some - placed over the top of the customer's wineglass to keep flies out of the sherry. In other words, it was a simple, effective, and delicious confluence of food and design.

The exhibition "Tapas - Spanish Design for Food," currently on display at the Moore Building in the Design District, explores and celebrates that confluence, using Spanish tapas as the springboard. Organized by Acción Cultural Española, and curated by Spanish architect Juli Capella, it's a fascinating glimpse into the circular relationship of cuisine, art, design and culture.

The displays are divided into sections - "The Kitchen," "The Table," and "The Food" - with a well-selected compilation of objects created for each. They range from the utterly pragmatic - a set of cookware designed by José Andrés - to the entirely whimsical - a cutting board with a chute for bread crumbs connected to an outdoor bird feeder. Here are just a few of the fun things I saw at a media preview yesterday:

(You can see all my pictures in this Tapas - Spanish Design for Food flickr set).

"Jamón de la Crisis" - designed by Julí Capella, produced by Vinçon - one of the most famous of Spain's culinary icons, but in consideration of the recent economic collapse, rendered in recyclable plastic and "filled with pure, Spanish mountain air." "Cured in 2008, on sale in 2013."

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"Pink Collar" Cobaya for a Cause with Chef Daniel Serfer

We mostly do this Cobaya thing to eat well and have fun, but occasionally we try to do good, too. Almost exactly a year ago, we helped Chef Andrew Carmellini fill seats for a Hurricane Sandy Relief Dinner at The Dutch, which was a fantastic meal (with contributions from several Cobaya alumni) and raised more than $17,000 for Sandy relief efforts.

This year, when Chef Daniel Serfer of Blue Collar approached us about doing a charity Cobaya dinner to raise money for Susan G. Komen for the Cure, we were eager to take part. It's a cause that is particularly meaningful to Danny, who lost his mother to breast cancer eleven years ago this month, and he described the menu he put together as takes on some of her favorite dishes.

I'll tell you this: Marsha ate very well. Though Blue Collar is, as the name suggests, a working-class kind of place, Chef Serfer has a fine dining background, having toiled at the now-closed Chef Allen's before opening his own place. And he's already thrown a few "White Collar" dinners at Blue Collar, complete with servers in tuxedo t-shirts. But this was something else. Oysters, caviar, stone crab, lobster, truffles, prime rib, foie gras ... it's a bit of a wonder we don't all have gout. It was indulgent and over the top in the best possible way.

(You can see all my pictures in this "Pink Collar" flickr set.)

Oysters are a great way to start a great meal, and this one started with a bucket full of freshly shucked Kumamotos accompanied by a traditional mignonette sauce. Bubbly always makes for a nice introduction too - a Santa Julia Brut Rosé from Mendoza Argentina in this instance, selected by one of Miami's best sommeliers, Allegra Angelo, a Cobaya vet who was pouring at her third of our events.

Another pass-around: porcini mushroom croquettes, with a crispy casing, a warm, creamy-textured, earthy-flavored mushroom purée inside, and a light dusting of parmesan cheese.

The first plated course began the sit-down segment of the dinner not so modestly: Kaluga caviar two ways, with scrambled eggs and brioche toast, and also over browned, buttery Yukon Gold blini. It was very nice caviar, and an elegantly simple presentation to let it stand out.

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