WeWork Miami & Food Panel Discussion - Monday February 22 6pm

Pop-up panel alert! Come out on Monday and see me do my best to moderate a discussion about the present and future of Miami's food and cocktail world with some of my favorite people in the business: Brad Kilgore of Alter, Steve Santana of Taquiza, Jessica Sanchez of Loba, and Elad Zvi of Bar Lab and Broken Shaker.

We'll all be at WeWork, located at 350 Lincoln Road, Miami Beach, on Monday February 22, starting at 6pm through 8pm. Please RSVP to RSVP@workshopcollective.com if you're coming, thanks.

best thing i ate last week (feb. 1-7): salsify, nori, black trumpets at Aubergine, Carmel-by-the-Sea

This was not an easy one. The fact is, I had two exceptional meals back-to-back during our most recent brief visit to the west coast. In Carmel-By-The-Sea, we went to Aubergine, where Chef Justin Cogley does some masterful things with both local products like Monterey Bay abalone and exotica like insanely marbled Hokkaido beef, all in an elegantly restrained, almost Japanese style.

The next day, after dropping Mrs. F at the airport (she was off to another conference in San Diego) and visiting Frod Jr. in Berkeley, I still had several hours to kill before a red-eye flight home. So I'd booked an early seating at Michael Tusk's Quince in San Francisco, and proceeded to have one of the most indulgent, pleasurable, flat out smile-inducing dinners I've had in recent memory.

(You can see all the pictures from these two great meals in this Aubergine - Carmel flickr set and this Quince - San Francisco flickr set).

Both experiences are worthy of further thoughts (I've been jotting down notes), and any of about a half dozen or more dishes from the two nights could easily go here. So I've opted for the one that was the most unexpectedly good: a baton of Belgian salsify served at Aubergine, roasted until it had gone slack and almost sticky, shellacked with a dark, dense purée of nori and trumpet mushrooms, all adorned with a spray of fresh, grassy chickweed. There was just such a beautiful intensity and purity to the flavors here, an unexpected beauty in fairly simple ingredients.

Ask me another day, and I might instead single out that incredible Hokkaido beef dish, or Aubergine pastry chef Ron Mendoza's beautiful combination of chocolate, walnut, fermented pear ice cream, Amaro Nonino, and wood sorrel, or from Quince, a beautiful dish of caviar, uni and julienned apple, or the zenned-out bliss triggered by the combination of truffle-shrouded pork tortellini and old Burgundy.

travelogue: three days of dining (and other things) in Louisville, Kentucky

We finished 2015 in Nashville, Tennessee. We started 2016 in Louisville, Kentucky. Of our three-stop Southern road trip, Louisville was the only city I'd visited before. In fact I'd been there a few times, but only on work-related matters, and never saw much other than the New Albany, Indiana courthouse (just on the other side of the Ohio River) and my hotel.

That hotel, though, was a pretty special one. The 21c Museum Hotel in Louisville is very possibly one of the greatest places I've ever stayed.^[1] Its name is not just a marketing ploy: the basement is a gallery dedicated to 21st century art featuring both rotating exhibitions and selections from the hotel's own collection, and the focus on contemporary art permeates the entire space.

In addition to the gallery downstairs, artworks are incorporated throughout the property. Their signature red penguins (originally a commissioned art work for the 2005 Venice Biennale created by Cracking Art Group) lurk everywhere (and the staff regularly moves them around, so that you may exit your room in the morning and find one staring at you). The area in front of the elevators features an interactive digital video installation called "Text Rain" by Camille Utterback, in which letters cascade down upon a projected silhouette of the people standing in front of it. A chandelier festooned with menacingly pointed manicure scissors hangs in an upper floor common space.

(You can see all my pictures of the hotel in this 21c Museum Hotel flickr set).

The 21c also has a great restaurant – Proof on Main. During my earlier visits, the chef was Levon Wallace – who recently left Louisville to open a Cochon Butcher with Donald Link in our last stop, Nashville. The Proof kitchen has since changed hands a couple times, first to Michael Paley (who recently moved on to Austin, TX to open Central Standard), and now is run by Mike Wajda. Despite all the turnover, it's as strong as ever.

The food at Proof has a southern accent, but not an overwhelmingly strong one: enough that you can tell where it's from. It's also picked up several other curious inflections along the way: Chef Wajda plays around with Korean, Caribbean, even North African flavors, but the patois somehow feels natural, not contrived.

These "roasted bones" are a good example. It seems like 90% of the bone marrow dishes I see on restaurant menus simply recite the Fergus Henderson liturgy of parsley salad and coarse salt. Here, instead, Wajda brushes the bones with an XO butter, then plates them with an assortment of pungent house-made kimchis. There's a subtle nod back Fergus' way with a light salad dressed in a sesame miso vinaigrette, but also a bunch of strong, assertive flavors to play against the sticky richness of the marrow. It was an outstanding dish.

(All my pictures from the restaurant are in this Proof On Main flickr set).

Other appetizers are equally creative, like a sweet potato pop-tart with a chicken liver pâté "frosting" and a sprinkle of crispy cracklings, which was a hit even among the non-offal fans at the table. Even the more traditional stuff, like a smoked catfish dip or the house-made charcuterie, is well done and tasty.

I'm accustomed to a fall-off from the appetizers to the mains, but that wasn't the case at Proof. In fact, even a potentially nebbish dish like a stuffed chicken was done exceptionally well. This hen roulade (the bird came from Marksbury Farm in Lancaster, Kentucky) was one of the best iterations I've ever had: flavorful, juicy chicken, crisp skin, a savory smoked pork stuffing, a dappling of jus, some roasted and fresh winter vegetables underneath. The "hog and dumplings" was also great, a Caribbean -Southern hybrid with a brightly jerk-spiced pork sausage ragu topped with big puffy featherweight dumplings that were like oversized gnudi.

Pecan pie can be cloyingly sugary, but Proof's finds a nice balance with a shot of Kentucky bourbon for a bit of an edge, and a scoop of buttermilk gelato for some creamy tang. If that's not sweet enough for you, every dinner finishes with a big pouf of pink cotton candy.

While many hotel restaurants mail it in for breakfast, we ate well in the mornings at Proof too, like their southern take on eggs benedict with a cornmeal biscuit, country ham and red-eye hollandaise, and an inspired smoked salmon and egg salad sandwich on everything-spice brioche. The bar at Proof also lives up to the name, and stocks one of the broadest – and most fairly priced – bourbon selections I've encountered, some of which can be sampled in themed tastings like the "Bottled In Bond" flight.^[2]

Proof On Main
702 West Main Street, Louisville, Kentucky
502.217.6360

The following day featured more bourbon, as we started the morning at the Frazier History Museum down the street. In addition to a nice Lewis and Clark exhibition (I am a sucker for things Lewis and Clark related), there was also an exhibition on Prohibition and Kentucky, sponsored by the (completely impartial) Kentucky Distillers Association. It featured some great pieces of temperance propaganda, like this "Moral and Physical Thermometer" of temperance and intemperance. Clearly, the descent is quick from idleness and peevishness to suicide, death and the gallows. It was also interesting to see the federal prohibition permit issued to Frankfort Distillery, then the producer of Four Roses Bourbon, which allowed it to be one of the few distilleries that could continue selling bourbon for "medicinal" purposes throughout prohibition.

The exhibition makes a pretty compelling argument that prohibition was counter-productive in many ways: it depressed the economy, encouraged excessive illicit drinking, fostered organized crime, and overtaxed the court and penal systems, which spent an overwhelming proportion of their resources dealing with prohibition-related crimes.

All of which just made me want to have a nip of the stuff. Fortunately, we'd made arrangements to do a tour at Willett Distillery in Bardstown that afternoon.

(continued ...)